Logo Pusaka Collection
spacer ONLINE MUSEUM OF INDONESIAN IKAT TEXTILES   CURATOR: Dr PETER TEN HOOPEN  BROWSE FROM:  [RANDOM] [001] [050] [100] [150] [200] [250] [300] [350] [375]
 


left arrowright arrow

Ikat from Kisar, Moluccas, Indonesia
 

138 Moluccas, Kisar


Homnon (sarong)  magnifiermicroscope



Locale: Probably Meher (Kisar speaking) people.
Period: 1900-1930
Yarn: Cotton, largely hand-spun
Technique: Warp ikat
Panels: 2
Size: 66 x 166 cm (2' 1" x 5' 5")   LW: 2.52
Weight: 745 g (26.3 oz), 340 g/m2 (1.11 oz/ft2)
Design: Homnon for woman of the Meher (Kisarese) nobility, with large 'kota lama', the square blocks, and characteristic colouration, in which red and brownish tints predominate. Second, third and fourth motifs from the right all appear to be variants of the Timorese kaif pattern. Base-mounted tumpal motifs serve as finials of the widest ikat bars. Four narrower bands with different small motifs that end in small tumpal motifs. Unlike the Oirata cloths Meher ikats only rarely have anthropomorphic or zoomorphic motifs. Numerous narrow stripes with dotted lines. Two wide bands near the extremities in solid near-black, achieved by overdying morinda with indigo.
Comment: Important older sarong of excellent quality. Intricate and fine-grained motifs. Very well preserved. Very similar to PC 276, an aristocratic sarong in the colour palette of Luang of similar yet slightly less intricate design. Few comparable pieces in published collections.
Background: Chapters on Moluccas and Kisar.
Exhibited: Museu do Oriente, Lisbon, 2014/15.
Hong Kong University Museum and Art Gallery, 2017.
Published:
Woven Languages, 2014.
Ikat Textiles of the Indonesian Archipelago, 2018.
Compare: 101 102 103 276
Sources: Near-identical to homnon in Tropenmuseum, Nr. 77-34, also dated 1900-1925; and to one in Wereldmuseum, Nr. 24552, depicted in Magie van de Vrouw, but erroneously identified as 'Babar', and to one in Yoshimoto, Ikat, Fig. 199. Similar to Khan Majlis, Woven Messages, Fig. 312, except for the coloration of the two main bands, this one having the red with brown and black colour palette typical of Kisar, not Luang. Also similar to Khan Majlis, Indonesische Textilien, Wege zu Goettern und Ahnen, Fig. 500; De Jonge and Van Dijk, Vergeten Eilanden, Plate 8.3; and Voelger and Von Welck, Indonesian Textiles, the supplement by Khan Majlis, Fig. 195, 196. Similar sarong worn by Kisar woman spindle spinning on early 20th C. photo in collection Tropenmuseum, below.

  
Add personal note




©Peter ten Hoopen, 2025
All rights reserved.






 HOME
 GALLERY BY ISLAND
 GALLERY 001-075
 GALLERY 076-150
 GALLERY 151-225
 GALLERY 226-300
 GALLERY 301-END
What is ikat?
Ikat Process
Cultural Background
- Sumatra & Bangka
- Borneo
- Bali & Nusa Penida
- Lombok
- Flores & Palu'e
- Solor Archipelago
- Savu & Raijua
- Roti & Ndao
- Sumba
- Timor & Semau
- Moluccas
- Sulawesi
- Gujarat (Patola)
- Alurung People
- Lamaholot People
ABOUT
Collecting philosophy
Articles
Literature
Public Collections
Trade Stories
Maps
Future of ikat
Contact
RESEARCH TOOLS
CATALOGUES
Aceh
Bangka
Batak
Kaur
Lampung
Palembang
Putih Doh
Kalimantan
Sarawak
Bali
Bali Tenganan
Nusa Penida
Ende
Krowe (Iwangete)
Lio (Nggela)
Nage Keo
Ndona
Ngadha (Bajawa)
Palu'e (off Flores)
Peninsula
Sikka
Adonara
Alor
Ternate and Buaya
Lembata (Lomblem)
Marica
Pantar
Solor
Raijua (off Savu)
Savu
Ndao (off Roti)
Roti
East Sumba
West Sumba (Kodi)
Semau (off Timor)
East Timor (Timor-Leste)
West Timor
Babar
Halmahera
Kisar
Lakor
Leti
Luang
Romang
Seram
Sermata
Tanimbar
Wetar
Bugis
Minahasa
Toraja
Detail images
Microscopic images
Reference material
Compare A-B
Compare A-B micro
Statistics
Pronunciation guide