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Ikat from Sarawak, Borneo, Indonesia
 

041 Borneo, Sarawak


Pua kumbumicroscope  magnifier



Origin: Borneo, Sarawak
Locale: Iban Dayak, Second Division, probably Batang Lupar River.
Period: 1920
Yarn: Cotton, hand spun, fine - plus accent stripes in commercial cotton.
Technique: Warp ikat
Panels: 2
Size: 111 x 197 cm (43.7 x 77.5)
Weight: 515 g (18.2 oz), 236 g/m2 (0.77 oz/ft2)
Design: Interlacing shapes executed in brick red, cream and light indigo with touches of (faded) yellow/green. Borders in bright yellow, red and black toko yarn. Pattern identified by Gavin as Suri Ai, 'rippling water' or Remang Berarat, 'drifting clouds'. Kedit likewise identifies it as a form of Remang Berarat. Ong has it as Bu-Bu, 'fish traps'. The pattern is very similar to the most common Toraja pattern, and probably represents the ancient 'birth' pattern seen across Southeast Asia.
Comment: Beautiful Iban pua of unusual design. Excellent weaving, clearly better than found on other known examples of this pattern type. 'Rich' wide borders of factory made yarn bought from Chinese traders, a labour-saving device that also denotes wealth.
Background: For additional information see chapter on Borneo and/or Sarawak.
Published: Carpet Collector 4/2014
Compare: 039
Literature: Gittinger, Splendid Symbols, Fig. 166, and photograph on p.212, showing a woman wrapped in similar pua. Khan Majlis, Indonesische Textilien, Wege zu Goettern und Ahnen, Fig. 679. Similar also to pua depicted in Gavin's contribution to Nabholz-Kartaschoff c.s., Weaving Patterns of Life, Fig. 1, but more intricate. Very similar also to (less finely detailed) pua in collection of Los Angeles County Museum of Art, No. M.77.113.2. Similar to pua from Baleh river area in Art Institute of Chicago, Bakwin Collection, Nr. 2002.948. Style similar to Layar pua depicted in Heppell c.s., Iban Art, Fig. 97 and to Kria pua on Fig. 44. Similar cloth, but less detailed in Edric Ong, Pua, Iban Weavings of Serawak, where the pattern is identified as bu-bu or fish traps.
  
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