Logo Pusaka Collection
spacer ONLINE MUSEUM OF INDONESIAN IKAT TEXTILES   CURATOR: Dr PETER TEN HOOPEN  BROWSE FROM:  [RANDOM] [001] [050] [100] [150] [200] [250] [300] [350] [375]
 


left arrowright arrow

Ikat from Kisar, Moluccas, Indonesia
 

356 Moluccas, Kisar


Selimut (shawl)detail



Locale: Probably made by one of the last mestizo weavers on the island.
Period: 19th to very early 20th c.
Yarn: Cotton, hand-spun, fine
Technique: Warp ikat
Panels: 2
Design: This cloth is asymmetric, but the asymmetry is very subtle and easy to overlook. It is not just created by three pairs of short horizontal stripes, unequally dived over the two panels, but also by the distribution of the seven longitudinal bands along the seam: four to left, three to the right of it. The design is a fine example of the 'Pictorial Style' of the South Moluccas as described in Peter ten Hoopen's Ikat Textiles of the Indonesian Archipelago, p. 459. The large X-shaped motifs are a rudimentary version of the double-headed eagle motif studied in detail in the same author's Ikat from Timor and its Outer Islands: Insular and Interwoven, p. 118-128. The boxed-in eight-pointel stars (ibid: 136-140) are part of a narrative about ancestors' flight, and in this context stand for the place of arrival. It appears to be an emulation of a common Turkic motif, widely distributed in the eastern archipelago. The human figures with upraised hands are often called 'orant', though there is no indication of people in the eastern islands raising their hands in prayer. They are just as likely to be dancing as praying (ibid: 87, 110). They are the central element of a pictorial strip called rimanu that is also found on Luang and a few other South Moluccan islands. It often, as here, includes drawings of horses with or without riders, which stand for the ancestors' battles.
Comment: [PHOTOGRAPHY PROVISIONAL] Extremely rare, possibly unique specimen. From old Dutch collection.
Background: Chapters on Moluccas and Kisar.
Compare: 200 308
Sources: Peter ten Hoopen, Ikat Textiles of the Indonesian Archipelago, p. 459. Ikat from Timor and its Outer Islands: Insular and Interwoven, pp. 86-97, 118-128, 136-140.
  
Add personal note




©Peter ten Hoopen, 2025
All rights reserved.






 HOME
 GALLERY BY ISLAND
 GALLERY 001-075
 GALLERY 076-150
 GALLERY 151-225
 GALLERY 226-300
 GALLERY 301-END
What is ikat?
Ikat Process
Cultural Background
- Sumatra & Bangka
- Borneo
- Bali & Nusa Penida
- Lombok
- Flores & Palu'e
- Solor Archipelago
- Savu & Raijua
- Roti & Ndao
- Sumba
- Timor & Semau
- Moluccas
- Sulawesi
- Gujarat (Patola)
- Alurung People
- Lamaholot People
ABOUT
Collecting philosophy
Articles
Literature
Public Collections
Trade Stories
Maps
Future of ikat
Contact
RESEARCH TOOLS
CATALOGUES
Aceh
Bangka
Batak
Kaur
Lampung
Palembang
Putih Doh
Kalimantan
Sarawak
Bali
Bali Tenganan
Nusa Penida
Ende
Krowe (Iwangete)
Lio (Nggela)
Nage Keo
Ndona
Ngadha (Bajawa)
Palu'e (off Flores)
Peninsula
Sikka
Adonara
Alor
Ternate and Buaya
Lembata (Lomblem)
Marica
Pantar
Solor
Raijua (off Savu)
Savu
Ndao (off Roti)
Roti
East Sumba
West Sumba (Kodi)
Semau (off Timor)
East Timor (Timor-Leste)
West Timor
Babar
Halmahera
Kisar
Lakor
Leti
Luang
Romang
Seram
Sermata
Tanimbar
Wetar
Bugis
Minahasa
Toraja
Detail images
Microscopic images
Reference material
Compare A-B
Compare A-B micro
Statistics
Pronunciation guide