Logo Pusaka Collection
spacer ONLINE MUSEUM OF INDONESIAN IKAT TEXTILES   CURATOR: Dr PETER TEN HOOPEN  BROWSE FROM:  [RANDOM] [001] [050] [100] [150] [200] [250] [300] [350] [375]
 


left arrowright arrow

Ikat from Lembata, Solor Archipelago, Indonesia
 

247 Solor Archipelago, Lembata


Kewatek (sarong)  magnifiermicroscope



Locale: Atadei, Lamaholot people.
Period: Ca. 1900
Yarn: Cotton, hand-spun, medium
Technique: Warp ikat
Panels: 2
Size: 68 x 123 cm (2' 2" x 4' 0")   LW: 1.81
Design: Kewatek nai ruo, two-panel bridewealth sarong. The motifs are nearly all unusual for Lembata, and invite further study. The triangular motifs with multiple legs are very different from the more common rendering of tumpal motifs in the region. Curiously, a similar rendering, though with only two legs per open triangle was seen in a late 20th c. sarong made on Pantar. The open triangles with what appear to be tentacles on Ternate represent sea hares (Aplysia, clade Anaspidae), and may well do so also on Lembata, two islands over. All hand-spun cotton, including the pinstripes, some of which were done in the pale greenish blue (someone suggested 'mintyish') which is found on Lembata, Alor, Ternate and Pantar, and nowhere else to our knowledge.
Comment: Rare early example. Only a few specimens of this quality are known. Few of the motifs belong to the common repertoire. There is no patola emulation that can be immediately identified. The inward pointing tentacles are similar to the sea hares of Ternate (Peni and McIntosh 2020), but far more elaborate. The second and third motifs from the left in the widest ikated bands appear to consist of two mirrored tena, boat motifs, merged at their keels. Ex-collection August Flick.
Background: Chapters on Solor Archipelago and Lembata.
Sources: Similar to kewatek from the fourth quarter of the 19th c. in the Washington Textile Museum, identified as Lama Lerap, Acc. no 68.19. As the style of that cloth is similar to high end Atadei cloths, the identification could be in doubt. Similar to kewatek in Gittinger, Splendid Symbols, Fig. 131, identified only as Lembata. Similar to kewatek nai Ruo in Barnes, The Ikat Textiles of Lamalera, Plate II, but far more intricate, as one would expect from a cloth made in Atadei, where technical standards in general are high, arguably the highest on the island.
  
Add personal note




©Peter ten Hoopen, 2025
All rights reserved.






 HOME
 GALLERY BY ISLAND
 GALLERY 001-075
 GALLERY 076-150
 GALLERY 151-225
 GALLERY 226-300
 GALLERY 301-END
What is ikat?
Ikat Process
Cultural Background
- Sumatra & Bangka
- Borneo
- Bali & Nusa Penida
- Lombok
- Flores & Palu'e
- Solor Archipelago
- Savu & Raijua
- Roti & Ndao
- Sumba
- Timor & Semau
- Moluccas
- Sulawesi
- Gujarat (Patola)
- Alurung People
- Lamaholot People
ABOUT
Collecting philosophy
Articles
Literature
Public Collections
Trade Stories
Maps
Future of ikat
Contact
RESEARCH TOOLS
CATALOGUES
Aceh
Bangka
Batak
Kaur
Lampung
Palembang
Putih Doh
Kalimantan
Sarawak
Bali
Bali Tenganan
Nusa Penida
Ende
Krowe (Iwangete)
Lio (Nggela)
Nage Keo
Ndona
Ngadha (Bajawa)
Palu'e (off Flores)
Peninsula
Sikka
Adonara
Alor
Ternate and Buaya
Lembata (Lomblem)
Marica
Pantar
Solor
Raijua (off Savu)
Savu
Ndao (off Roti)
Roti
East Sumba
West Sumba (Kodi)
Semau (off Timor)
East Timor (Timor-Leste)
West Timor
Babar
Halmahera
Kisar
Lakor
Leti
Luang
Romang
Seram
Sermata
Tanimbar
Wetar
Bugis
Minahasa
Toraja
Detail images
Microscopic images
Reference material
Compare A-B
Compare A-B micro
Statistics
Pronunciation guide