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| | | | 176 Timor, West Timor
Beti naek (men's wrap)
| | Locale: | Biboki, Insana district, probably Tamkesi area, in the mountainous spine of Timor. Atoin Meto (Atoni) people. | | Period: | First half 20th c. | | Panels: | 2 | | Design: | Very unusual (and unlike the older PC 303) is this example's asymmetry: the bands carrying the main motif on the left are 60 mm wide, those on the right 52 mm. As a result, the number of biboeks'ana motifs carried also differs: those on the left carry four-and-a-half, those on the right five. These differences make the overall patterning intentionally unstable, goyang-goyang, giving it additional tension. For further description see PC 303. The patola-inspired biboeks'ana pattern is the prerogative of royalty and the nobility. (Though in later decades, after independence, it came into wider use.) The motif is considered very powerful as it is associated with water sources essential for life. | | Size: | 113 x 192 cm (44.4 x 75.5 in) | | Weight: | 1030 g (475 g/m2) | | Yarn: | Cotton, hand-spun, medium | | Comment: | Barrkman: 'The first royal biboeks'ana motif is claimed to have been made seven generations ago by the wife of the Neno Biboki ruler, suggesting the motif was created approximately 175 years ago (Taek Berek, pers. comm., 2004). At that time, foreign textiles traded into the region would have been accessible to the ruler’s wife, whose status enabled her to create new motifs. Interestingly, when an image of an Indian patola cloth with Motif X [model for Biboek'sa] was shown to the Biboki Kingdom's ceremonial house guardian, Paoespan'no, he saw it as a copy of his own kingdom's royal Biboek'sa motif.'
Below is a detail of 17th-18th C. chintz sarasa with VOC trade stamp.
 | | Background: | Additional information in chapters on Timor and West Timor. | | Published: | Ikat Textiles of the Indonesian Archipelago, 2018.
Timor: Totems and Tokens, 2019.
Ikat Textiles of Timor: Indonesian and Timor-Leste, 2025. | | Compare: | 177 150 216 303 370 | | Sources: | See Barrkman, Indian Patola and Trade Cloth Influence on the Textiles of the Atoin Meto People of West Timor, identifying the motif as imitation of patola. Cf. also PC 177. More elaboration on the theme in Ruth Barnes's contribution to Hamilton and Barrkman, Textiles of Timor, p. 105-108; close-up of the motif, Fig. 6.14. Same motif on Balinese mordant print in Bühler and Fischer, The Patola of Gujarat, Fig. 73. Tamkesi provenance suggested by Chris Buckley, who noticed the pattern when he travelled there in the early 21st C. and was told that it was mainly used by families with a connection to the chief's family, though this definition is broad since a lot of families are related in one way or another, and confirmed by Pierre Dugard who collected a similar piece. Recent cloths all use commercial yarn and chemical dyes. Same motif on sarong in Honolulu Museum of Art, Acc. 10036.1 | | |
 ©Peter ten Hoopen, 2024
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