Logo Pusaka Collection
spacer ONLINE MUSEUM OF INDONESIAN IKAT TEXTILES   CURATOR: Dr PETER TEN HOOPEN  BROWSE FROM:  [RANDOM] [001] [050] [100] [150] [200] [250] [300] [350] [375]
 


left arrowright arrow

Ikat from West Timor, Timor, Indonesia

LEFT THE COLLECTION
display continued to support resarch
 

208 Timor, West Timor


Tais (sarong)detail



Locale: Amarasi, Atoin Meto people, Oekabiti clan.
Period: 1950
Yarn: Cotton, commercial, fine
Technique: Warp ikat
Panels: 3
Size: 72 x 95 cm (2' 4" x 3' 1")   LW: 1.32
Weight: 430 g (15.2 oz), 314 g/m2 (1.03 oz/ft2)
Design: Entire field decorated with ikated bands in white on morinda red, showing the kai e'ne of kaif motif that stands for connection to the ancestors, in a form that is typical for the Oekabiti clan. The middle panel carries two kai e'ne, the two side panels each one whole and two halves turned outward. Narrow accent stripes in black and white sotis (float weave), pinstripes in green and red pred-dyed commercial yarn - a common feature in Timorese cloths since the early 20th C.
Comment: Traditional Amarasi ceremonial sarong. Tight patterning, indicating the hand of a master weaver. The three panels have been joined so carefully that the seam is barely visible, and more easily discovered by stroking the cloth. A very lightly used piece in excellent state of preservation. Ex-collection August Flick.
Background: Chapters on Timor and West Timor.
Exhibited: Timor: Totems and Tokens, Museu do Oriente, Lisbon, 2019/20.
Published: Timor: Totems and Tokens, 2019.
Sources: Similar to sarong in Barnes and Hunt Kahlenberg, Five Centuries of Indonesian Textiles, p. 334. Similar to Amarasi tais from Oekabiti in Yeager and Jacobson, Textiles of Western Timor, Plate 8. Characteristic fine stripes in commercial yarn that separate the ikated bands very similar to those in detail shots on Plates 6 and 7. Also similar to somewhat longer sarong in Khan Majlis, Woven Messages, Fig. 252; same kaif pattern, but with nine wide ikated bands instead of seven. Very similar sarong tais worn by high class women on her 'coming out' ceremony after childbirth on early 20th C. photo in Gittinger, Splendid Symbols, Fig. 9.
  
Add personal note




©Peter ten Hoopen, 2025
All rights reserved.






 HOME
 GALLERY BY ISLAND
 GALLERY 001-075
 GALLERY 076-150
 GALLERY 151-225
 GALLERY 226-300
 GALLERY 301-END
What is ikat?
Ikat Process
Cultural Background
- Sumatra & Bangka
- Borneo
- Bali & Nusa Penida
- Lombok
- Flores & Palu'e
- Solor Archipelago
- Savu & Raijua
- Roti & Ndao
- Sumba
- Timor & Semau
- Moluccas
- Sulawesi
- Gujarat (Patola)
- Alurung People
- Lamaholot People
ABOUT
Collecting philosophy
Articles
Literature
Public Collections
Trade Stories
Maps
Future of ikat
Contact
RESEARCH TOOLS
CATALOGUES
Aceh
Bangka
Batak
Kaur
Lampung
Palembang
Putih Doh
Kalimantan
Sarawak
Bali
Bali Tenganan
Nusa Penida
Ende
Krowe (Iwangete)
Lio (Nggela)
Nage Keo
Ndona
Ngadha (Bajawa)
Palu'e (off Flores)
Peninsula
Sikka
Adonara
Alor
Ternate and Buaya
Lembata (Lomblem)
Marica
Pantar
Solor
Raijua (off Savu)
Savu
Ndao (off Roti)
Roti
East Sumba
West Sumba (Kodi)
Semau (off Timor)
East Timor (Timor-Leste)
West Timor
Babar
Halmahera
Kisar
Lakor
Leti
Luang
Romang
Seram
Sermata
Tanimbar
Wetar
Bugis
Minahasa
Toraja
Detail images
Microscopic images
Reference material
Compare A-B
Compare A-B micro
Statistics
Pronunciation guide