Logo Pusaka Collection
spacer ONLINE MUSEUM OF INDONESIAN IKAT TEXTILES   CURATOR: Dr PETER TEN HOOPEN  BROWSE FROM:  [RANDOM] [001] [050] [100] [150] [200] [250] [300] [350] [375]
 


left arrowright arrow

Ikat from Bali, Bali Group, Indonesia
 

124 Bali Group, Bali


Kain cepuk  magnifiermicroscope



Locale: Tabanan / Kerambitan area most likely.
Period: Late 19th - early 20th c.
Yarn: Cotton, hand-spun, fine
Technique: Weft ikat
Panels: 1
Size: 78 x 256 cm (2' 6" x 8' 4")   LW: 3.28
Design: Very long kamben cepuk, named kamben cepuk cendana kawi, with patola-inspired jilamprang motif: a whole jilamprang on the central axis flanked by two half ones. In two shades of morinda red, dark and pinkish, with accents in purple and pale indigo. Elaborate borders that look like a double pointed tumpal.
Comment: Old pusaka, heirloom. Excellent, tight weaving. Material somewhat brittle. Two holes in lateral border close to selvage, and a few tiny ones elsewhere, not affecting the field. The great length of this piece speaks volumes about the technical mastery of the weaver who managed to continue the complex patterning over such a long distance without jarring.
Background: Chapters on Bali Group and Bali.
Exhibited: Museu do Oriente, Lisbon, 2014/15.
Published:
Woven Languages, 2014.
Ikat Textiles of the Indonesian Archipelago, 2018.
Sources: Very similar to long examples from the Holmgren and Spertus collection in National Gallery of Arts: NGA 2000.826, described as from Bali or Nusa Penida and dated 19th to early 20th c, and NGA 2000.819, dated 19th c. and made in Tabanan. Very similar to early 20th c. cepuk in McIntosh, Thread and Fire, Fig. 3.23. Basic structure conforms to that of Buleleng as shown in Nabholz-Kartaschoff's contribution to Gittinger's To Speak with Cloth, Fig. 14 on p. 188. Two nearly identical cepuk cloths, both identified as Tabanan, Kerambitan, in Hauser-Schaeblin c.s., Textiles in Bali, Fig. 8.1 and Fig. 8.12. Another similar cepuk, nearly as long, in Gittinger, Splendid Symbols, Fig. 106. Type description in Nabholz-Kartaschoff's contribution to Völger and Von Welck, Indonesian Textiles, p. 124. Side border lozenges similar to those on example in Museum für Völkerkunde, Basel, IIc 13956.
  
Add personal note




©Peter ten Hoopen, 2025
All rights reserved.






 HOME
 GALLERY BY ISLAND
 GALLERY 001-075
 GALLERY 076-150
 GALLERY 151-225
 GALLERY 226-300
 GALLERY 301-END
What is ikat?
Ikat Process
Cultural Background
- Sumatra & Bangka
- Borneo
- Bali & Nusa Penida
- Lombok
- Flores & Palu'e
- Solor Archipelago
- Savu & Raijua
- Roti & Ndao
- Sumba
- Timor & Semau
- Moluccas
- Sulawesi
- Gujarat (Patola)
- Alurung People
- Lamaholot People
ABOUT
Collecting philosophy
Articles
Literature
Public Collections
Trade Stories
Maps
Future of ikat
Contact
RESEARCH TOOLS
CATALOGUES
Aceh
Bangka
Batak
Kaur
Lampung
Palembang
Putih Doh
Kalimantan
Sarawak
Bali
Bali Tenganan
Nusa Penida
Ende
Krowe (Iwangete)
Lio (Nggela)
Nage Keo
Ndona
Ngadha (Bajawa)
Palu'e (off Flores)
Peninsula
Sikka
Adonara
Alor
Ternate and Buaya
Lembata (Lomblem)
Marica
Pantar
Solor
Raijua (off Savu)
Savu
Ndao (off Roti)
Roti
East Sumba
West Sumba (Kodi)
Semau (off Timor)
East Timor (Timor-Leste)
West Timor
Babar
Halmahera
Kisar
Lakor
Leti
Luang
Romang
Seram
Sermata
Tanimbar
Wetar
Bugis
Minahasa
Toraja
Detail images
Microscopic images
Reference material
Compare A-B
Compare A-B micro
Statistics
Pronunciation guide