Logo Pusaka Collection
spacer ONLINE MUSEUM OF INDONESIAN IKAT TEXTILES   CURATOR: Dr PETER TEN HOOPEN  BROWSE FROM:  [RANDOM] [001] [050] [100] [150] [200] [250] [300] [350] [375]
 


left arrowright arrow

Ikat from East Sumba, Sumba, Indonesia
 

027 Sumba, East Sumba


Hinggi (men's blanket)  magnifiermicroscope



Locale: Probably Kambera or Rende.
Period: 1920-1940
Yarn: Cotton, hand-spun, medium
Technique: Warp ikat
Panels: 2
Size: 104 x 269 cm (3' 4" x 8' 9")   LW: 2.59
Design: The classical lay-out with eleven patterned areas often seen in older hinggi. Three wide bands of patola ratu pattern, to Sumbanese evoking the spotted skin of a python. A band with patola ratu in the kundu duku, the central section meant to be worn over the shoulder, is rather typical for hinggi made for royalty, but here it is unusually wide. The addition of two more panels adds prestige. Two narrower bands show mounting lions and sceptres, four morinda red bands show cream coloured horses, all traditional symbols of wealth in Sumbanese society.
Comment: Mounting lions are a motif adapted by the Sumbanese ruling class from Dutch heraldry. The three fields with geometric designs called patola ratu are derived from patola trade cloths, and are likewise a sign of royalty. The dappled effect of the patola ratu pattern is reminiscent of python skin and is a symbol of regeneration, since the python sheds its skin and can be 'reborn'. Excellent, tight weaving, warm brick red tone, and several areas where overdyeing of morinda with indigo, called belapit, has created a purplish brown tone. An older hinggi from a good house.
Background: Chapters on Sumba and East Sumba.
Exhibited: Museu do Oriente, Lisbon, 2014/15.
Published: Woven Languages, 2014.
Noble Virtuosity: Hidden Asymmetry in Ikat from Sumba, 2024.
Compare: 160 171 015
Sources: Very similar to hinggi depicted in Khan Majlis, Woven Messages, Fig. 209. Also similar to Fig. 210, 212. Cf. also University of Leeds International Textile Archive, Inv. No. 2010.411; and Gillow, Traditional Indonesian Textiles, Fig. 6. Probably made in same village as hinggi in Brinkgreve and Stuart-Fox, Living with Indonesian Art, Fig. 308, which has different layout but has the same tonality and uses same and similar motifs in other spatial arrangement. From old Dutch collection.
  
Add personal note




©Peter ten Hoopen, 2025
All rights reserved.






 HOME
 GALLERY BY ISLAND
 GALLERY 001-075
 GALLERY 076-150
 GALLERY 151-225
 GALLERY 226-300
 GALLERY 301-END
What is ikat?
Ikat Process
Cultural Background
- Sumatra & Bangka
- Borneo
- Bali & Nusa Penida
- Lombok
- Flores & Palu'e
- Solor Archipelago
- Savu & Raijua
- Roti & Ndao
- Sumba
- Timor & Semau
- Moluccas
- Sulawesi
- Gujarat (Patola)
- Alurung People
- Lamaholot People
ABOUT
Collecting philosophy
Articles
Literature
Public Collections
Trade Stories
Maps
Future of ikat
Contact
RESEARCH TOOLS
CATALOGUES
Aceh
Bangka
Batak
Kaur
Lampung
Palembang
Putih Doh
Kalimantan
Sarawak
Bali
Bali Tenganan
Nusa Penida
Ende
Krowe (Iwangete)
Lio (Nggela)
Nage Keo
Ndona
Ngadha (Bajawa)
Palu'e (off Flores)
Peninsula
Sikka
Adonara
Alor
Ternate and Buaya
Lembata (Lomblem)
Marica
Pantar
Solor
Raijua (off Savu)
Savu
Ndao (off Roti)
Roti
East Sumba
West Sumba (Kodi)
Semau (off Timor)
East Timor (Timor-Leste)
West Timor
Babar
Halmahera
Kisar
Lakor
Leti
Luang
Romang
Seram
Sermata
Tanimbar
Wetar
Bugis
Minahasa
Toraja
Detail images
Microscopic images
Reference material
Compare A-B
Compare A-B micro
Statistics
Pronunciation guide