Logo Pusaka Collection
spacer ONLINE MUSEUM OF INDONESIAN IKAT TEXTILES   CURATOR: PETER TEN HOOPEN  BROWSE FROM:  [RANDOM] [001] [025] [050] [075] [100] [125] [150] [175] [200] [225] [250] [275] [293]
 


left arrowright arrow

Ikat from Babar, Moluccas, Indonesia
 

109 Moluccas, Babar


Roie irai (sarong)microscope  magnifier



Origin: Moluccas, Babar
Locale: Probably Wetan island.
Period: 1890-1930
Yarn: Cotton, hand spun, coarse
Technique: Warp ikat
Panels: 2
Size: 81 x 151 cm (2' 7" x 4' 11")
Weight: 940 g (33.2 oz), 384 g/m2 (1.26 oz/ft2)
Design: Narrow bands with geometrical patterns in white on indigo, two broad bands with larger geometrical designs framed by lozenges (similar to Timorese Amarasi natam koroh motif). Pinstripes in ochre, which appears to be natural, cyclamen, and purple - which appears be fuchsine, the second earliest chemical dye stuff.
Comment: Old sarong from Babar archipelago, probably (as stated by well-reputed seller) from Worili village on the remote island Wetan. Comparison with very similar Wetan sarong in Rautenstrauch-Joest Museum confirms this assumed provenance. Sturdy, heavy cloth, with bold, clear patterning. Some smudges and a circular rust stain on one face, other face only slightly smudged. Ex collection Verra Darwiko.
Background: For additional information see chapter on Moluccas and/or Babar.
Exhibited: Museu do Oriente, Lisbon, 2014/15
Published: Peter ten Hoopen, Woven Languages, 2014
Compare: 196 198
Literature: Striking resemblance to several of the sarongs worn by women from Babar on photograph from 1913 in De Jonge and Van Dijk, Forgotten Islands, Plate 8.6. See also Fraser-Lu, Handwoven Textiles, p.204: natam koroh motif. Very similar sarongs in Khan-Majlis, Indonesische Textilien, Wege zu Goettern und Ahnen, Fig. 567 and Fig. 568, though ours has more intricate motifs, often an indicator of greater age. Motif in main ikated band similar to that on Wetan sarong from before 1940 in Tropenmuseum, Nr. 1772-1213. Ex collection Verra Darwika.
  
Add personal note




©Peter ten Hoopen, 2017
All rights reserved.