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Ikat from Nusa Penida, Bali Group, Indonesia
 

046 Bali Group, Nusa Penida


Kain cepukdetailmicroscope  magnifier



Origin: Bali Group, Nusa Penida
Locale: Village unknown.
Period: Mid to late 19th c.
Yarn: Cotton, hand spun, fine
Technique: Weft ikat
Panels: 1
Size: 86 x 111 cm (33.8 x 43.7)
Design: Patola-inspired style design, predominantly ecru on brick red, with russet and faded yellow and green accents. The handspun yarn belongs to the most irregular that we have inspected under the microscope: a jungle of thicker and finer creepers in a variety of rich, vegetable colours that partly blend into one another. A look with the microscope is highly recommended. The yarn of all cloths from the 19th and very early 20th c that we have inspected are far more irregular than that spun in the later parts of the colonial period. Perhaps because hand spun was then competing more directly with commercial thread, and, not to be outdone, weavers began to spin with greater precision.
Comment: Well preserved example of and old kamben cepuk, ceremonial hip cloth, made on the island of Nusa Penida off Bali's south coast, for use on Bali. Such cloths were highly valued because seen as highly protective, made as they were on feared Nusa Penida, where evil ruled. Whereas most kamben cepuk, even those from the later parts of the 19th c. were done in aniline dyes, either in whole or largely, the very dark, reddish brown undertone of this cloth and the muted yellow and green make clear that it was made with natural dyes only - probably in morinda, morinda overdyed with indigo, yellow akar kayu kuning, and a vegetable green dye. Of the latter two only traces remain, as the natural yellow and green dyes used here and on Bali are unstable.
Background: For additional information see chapter on Bali Group and/or Nusa Penida.
Published: Woven Languages 2014
Compare: 043 124 129
Literature: Basic structure conforms to that of Nusa Penida as shown in Gittinger's To Speak with Cloth, Fig. 14 on p. 188. See also Gittinger, Splendid Symbols, Fig. 106; Khan Majlis,Indonesische Textilien, Wege zu Goettern und Ahnen, Fig. 323 and p.73; Buehler, Patola Influences, Plate 14; Gillow, Traditional Indonesian Textiles, Fig. 73.
  
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